About.
IVAN SORGENTE
VFX Supervisor / Compositing Supervisor with 10+ years of experience shaping visuals for feature films and high-end TV.
I’ve led teams in both vendor-side and client-side environments, with a strong background in client-facing roles and creative leadership. Currently working directly with studios on major productions, I bring a balance of artistic insight and technical precision to every project.
Crafting the invisible, one frame at a time.
Bridging the gap between creative ambition and practical execution, I turn complex challenges into cinematic, story-driven solutions, from pitch to final delivery
Latest.
NEWS AND PUBLICATIONS.
In this 3 days workshop named “Creativity in Compositing” we approached compositing from a very different angle. I worked closely with Framestore to give you a super exclusive view on Spider-man : Far From Home and how we tackled the creative process in such a out of the ordinary visually stunning sequence. Creativity , can easily become your best friend and your worst enemy, how do we keep it in balance while staying focused on the main goal? Many thanks to the marketing team at Framestore and to Alexis Wajsbrot for the amazing
A full immersion 3 days Nuke masterclass to the 3rd year students of CG Animation at IED Milano, Italy ranging from Nuke tips and tricks to dissertation reviews.

worked with the Kaleida and Netflix team supervising and creating the visuals for the holographic installation within Canary Wharf to promote the new sci-fi series Altered Carbon.

Skills.
A creative mindset paire with strong leadership, communication, and team management skills make me well suited to guide teams and deliver high-end visual results. I bring clarity, structure, and energy to complex prodcutions. Helping shape the right images for every story and screen. let’s bring your vision to life!
VFX SUPERVISION.
Overseeing visual effects from concept to delivery, from evaluating script breakdowns and on-set supervision, to collaborating with production teams on scope, feasibility, and budget. I lead teams across departments to ensure every VFX shot aligns with both creative intent and production realities.
DIGITAL COMPOSITING.
Compositing is where creative intent meets final execution, the last line before an image reaches the screen. With years of experience shaping complex visuals across high-end productions, I bring a critical eye and a deep understanding of visual language to every frame. The goal is always the same: cohesive, story-driven imagery that holds up at any scale.
NUKE TD.
Nuke is my tool of choice. I develop custom tools, gizmos, and Python-based workflows to improve efficiency and adapt pipelines to project needs. From problem-solving to automation, I’m driven by clean, procedural solutions that empower artists and speed up delivery
LEARNING.
I provide compositing training, mentoring, and consultation to individuals and institutions. My guidance is grounded in hands-on experience from high-end productions, including Game of Thrones, Spider-Man: Far From Home, Loki, and Guardians of the Galaxy, where I’ve contributed both as artist and supervisor. . Read More



























